Thoughts

Sunday, August 12th, 2012

Goal-driven or Passion-driven

Lately, I have been thinking about this a lot. Not too long ago, a few people in Savannah gave me a hard time for not having a clear path and a precise plan for what lies ahead. They told me that I was without a goal and that my efforts would not lead me anywhere. I usually responded that I believe that I am following my passion and plan for the shorter term, and then see what opportunities I arrive to, trying to be ready for comes my way.

Past week I had the opportunity to talk to some experienced colleagues, and then took the same conversation to some other friends at different points in their lives. The consensus was that none of them said it was important to have a plan, and the majority actually advised to not plan to far ahead. Their argument was that it would get you to narrow-minded. While intention drives focus, it also bares the risk of losing other opportunities out of sight. I was intrigued, because I never thought about it this way.

Finally, I had a great conversation with a friend who told me, that he saw it most important to have a passion for something, and work along the lines of that passion. It might not be a specific plan, but it takes you in a direction where you work on things that you enjoy and love — a lesson that Steve Jobs mentioned as well. I revisited my past article about finding your place and kept thinking to myself that it was a very helpful experience to work with people who are extremely passionate about their work, and saw my passion and could give me advice on what opportunities I want to look out for.

Ultimately, I learned that it is not a problem to not have a plan. With everything being in a constant state of flux there are so many unknown variables that planning to far ahead is similar to planning on winning the lottery: an illusion. The most important thing is to be passionate about something and following that passion. This is what people should really focus on, especially because finding your passion might not always be as obvious as you think it is.


Sunday, August 5th, 2012

Collaboration and Competition

Especially in the creative professions, collaboration is a fundamental component of our work. As many have already put it, the times of the lonely genius are over. The great moments of epiphany are no longer obtained in solitude and isolation but in collaborative environments.

I keep reading that truly successful design constantly has its ultimate audience in mind, its user. Design would be nothing without its audience. Its when a design gets used that it unveils its usefulness, fulfills its purpose. And many current discussions revolve around participatory design, which should include members of the target audience in the design process. Many celebrate this approach as a fundamental shift of paradigm in design, calling it the new way design is working, especially in the realm of graphic design.

Yet, not few are driven by a sense of competitiveness. Many still feel pushed by seeing other’s work, using it as a gauge for a level of quality they want to reach or, more often, surpass. I admit, I am very competitive myself and it has quite often steered me into a sense of bitterness, when I was not able to surpass a level that I set myself as the goal.

I came to the point where I am starting to realize, and current collaborative projects have been a great eye-opener for me, that collaboration and competition do not need to exclude each other. I read an interesting article about why the ’92 Dream Team (I’m speaking Olympics basketball, for the few who don’t get the reference) was so successful. They were fierce competitors, but yet with a lot of respect for each other, which led them to function so well as a team. And it is this respect that seems to be a missing ingredient in many collaborative environments.

Not too long ago, I used to work somewhat close with a fellow designer, bouncing ideas back and forth. Yet a lot of times, I did not treat the input I was given with the proper respect. Now that I work with people who I see as much more experienced — being an intern among established professionals — I have a more obvious reason to humbly accept input on my ideas. But it is not that I would not use their level of quality as my threshold, the standard I want to reach and surpass. It is more that I came to acknowledge that this collaboration might get us both there. Maybe an idea of mine will spark something for them, but their input will most definitely help me advance and grow.

The past weeks of collaborative working have had a greater impact on my learning than many of my mainly competitive projects in the months before. Now, I am still competitive and ambitious, but not to the point of being exclusive about my work, but about trying to be inspired to do better, together with those who helped me with my work.


Sunday, July 29th, 2012

Simplicity and Focus

Recently, I have started to look further into the development of applications and interfaces. This is partially due to a class I took during the winter at SCAD, but also because of my current internship at McKinney, where this is the focus of my work. And in several discussions I had over the past few months I realized that the development of applications — in whatever sense, desktop, mobile, web application or even kiosk systems — bears a great risk of overachieving things. This might work in some scenarios, but in application development it is highly risky. Because with it comes a loss of focus and simplicity.

Usually, we have a tendency to welcome those who overachieve. Think of Apple’s “one more thing”. We celebrate the extra element, that surprises us, doing so much more than we imagined.

As part of the aforementioned class, I did some research on simplicity and came across John Maeda’s great book “Laws of Simplicty, which has since then be a great help to keep interfaces streamlined and manageable. And even in this book, Maeda mentions how customers appreciate a small thing that is big on delivery. The element of surprise makes the artifact more likely to have a positive impact on its user. Yet at the same time it is important to keep things manageable. And this is where a lot of interfaces and applications are at risk. They want to serve every possible scenario that its users could come up with, even if this means including functions that are hardly ever going to be used by the majority of users. This leads to interfaces that are cluttered and extremely complex. The feeling of pleasant surprise might still be there at the end of an interaction, but to get there, a user has to overcome the daunting feeling of being completely overwhelmed and lost in a myriad of buttons, clickable links or other calls to action.

One of the best lessons I took away from both Maeda’s book and my class was the division between important features and a wish list. My professor insisted that we wrote down our problem, our goal and our objective. And then plan our features accordingly. If something adds value to accomplishing the goal, it is an important feature. When we moved towards the description of our users, writing a summary of their lifestyle and personality and the way they would use our application, we added a list of things that they would really wish to see in the app. Each of these wishes was then compared to the end goal, and if it made it a lot easier, it was considered to become a feature. If it was more a nice thing to have, it got thrown out. A very helpful rule in this was to never justify getting rid of something, but to always justify keeping something. This way you ensure that you only keep the things that really matter.

In our time, where mobile devices fulfill a myriad of functions, our networks are a connection of countless nodes, it is the easy interfaces with a specific focus that engage users, giving them a feeling of being able to master the application at hand. Overwhelming interfaces don’t make users feel like they are in control, but rather they cause the anxiety of simply going through the motions.

You only need to look at the popularity of applications such as Twitter — focussed on the communication of very short messages — or Instagram — focussed on sharing photos, no videos, no audio. And then compare it to the constant outcries about changes to Facebook’s interface. Its users no longer feel like they understand how to manage the immense complexity of the site.

What interface and application development really need, is more consideration of their users’ needs, and less about fancy additional features. In our hectic times, focus and simplicity help us navigate our environment. The world is already complex enough without additional interfaces to further complicate our lives.


Sunday, July 22nd, 2012

This is how design works

A very sensational title, I know. I am very aware that out there are countless websites out there that promise to teach you something in a few easy steps. I have fallen for tweets that mentioned these super-simple instructions a few times myself. But as I mentioned in earlier posts, true mastery takes time, and persistence.

Today’s article is not even about my wisdom, it’s about a great find that I came across. I had a very similar post in mind and had started to take notes, when I found this gem. It is the very wonderful Startups, this is how design works by Wells Riley. It is extensive and a valuable research that provides some understanding that design is so much more than a “beautiful logo” or a “fancy business card”. It’s about a mindset and an approach to solving a specific problem. And a good designer is identifiable maybe more about his way of thinking than about the amount of pins of vintage typography on his Pinterest boards (yes, I am guilty of that one myself).

So I would like to invite you to take a look at this wonderful collection of insights and research that Wells has compiled — in a visually very appealing way.


Sunday, July 15th, 2012

Finding your Place

One of the biggest challenges I have been facing over the past few years is finding my place. And that goes for several interpretations of this saying.

Between my stay in Venezuela, my studies abroad in Spain, my current studies in the US, and of course also my home in Germany, it is difficult to find the place where I feel like I belong. I made friends along the way who are spread all over the globe from Australia and the Far East to Eastern Europe, South Africa, Scandinavia, people all over Latin America, and now more and more all over the US. And I am caught somewhere in between. While there is of course a connection to my hometown that I keep sacred, I wont deny that I have a hard time picturing myself going back. And that leaves the question unanswered where my place is.

The same goes for the search for a profession. Brought up pursuing my creative endeavors in the realm of music it was not that easy to realize that it might not be the most promising path to follow. And that’s when a ton of people came with “advice” on what I should do. I have a thing for languages, so everybody told me to study languages. Only that nobody could tell me what to do with that, except teaching it or translating books or documents, neither option really sparked my interest. As I love reading about politics and will hardly ever shy away from an argument, some people suggested I should study law and either do that or go into politics myself. Ultimately, I ended up studying Digital Media, a mix of computer science and some design classes, only to realize that the computer scientific part was not fulfilling me as much as I hoped. And I went on to get my graduate degree in Graphic Design (which is what I am currently doing).

But even here I met people who had their ideas of what I should do and how I should do it. Which to some degree is part of teaching — the offering of guidance and orientation. But unfortunately even classmates had their ideas for where they saw my strengths and weaknesses and added their own recommendations. And in all honesty: I appreciate that they all looked out for me and gave me ideas.

Now that I am doing an internship and getting another more specified glimpse into the professional world that is waiting for me, I get advice from people who are in the kinds of roles that I would hope to be in one day. And these people see me do what I do, ask questions about what I like doing, and can tell me if it matches the requirements. And I am glad that I am finding these kinds of mentors, for there is one thing I have learned already: even if I might not have found my place, it helps that some people show me the path to get there.


Sunday, July 8th, 2012

Patience and Persistence

People who know me a little better can tell you that patience is not really a strength of mine. Especially when it comes to being patient with myself. I try to be very analytical and aware of strengths and weaknesses of what I do, but I usually get impatient when trying to fix the shortcomings. But certain things take time, and Rome wasn’t built in a day.

Lately I learned that those whose work I find the most impressive are the patient ones. The people who are patient enough to take their time to refine things, or to further develop certain skills, to be able to accomplish something they might not be capable of yet. And people who are persistent at pushing themselves and their work.

So while creative people sometimes tend to jump from one project to the next, constantly searching for new input and new challenges, truly great accomplishments take patience and persistence.

As I have mentioned in previous articles, I believe I work with extremely skilled people, but even they need their time to come up with the great ideas and solutions. I have not yet met someone who can just create on the highest level of quality in an instant and naturally. Even if some people are that skilled, it is because they have patiently developed this skill set, working on it persistently.

Another thought that came up while discussing these realizations with people close to me was the following:

“When people give up on you, you should try to prove them wrong instead of following their lead.”

When I uttered this as a side-note in a conversation, I did not yet realize that it was what drove me through the beginning of my time at SCAD. Although people had not given up on me, I felt like most did not have me on the radar, as there were some very skilled and talented people around me with more experience in the field. But I somehow always saw it as a challenge to prove my own worth. And to this day, it is one of the things that keeps me pushing a little further every time.

And this lesson can be applied to any area. If there is something that is not right, it only means that it is not right yet. But by working on it patiently and persistently, a lot of great obstacles can be overcome and turned into great opportunities. And sooner or later, I will be patient with myself as well.


Sunday, July 1st, 2012

Passion and Positive Thinking

For people who know me a little better, it might be ironic that I am writing about positive thinking. I usually love using my German heritage as an explanation for my lack of optimism, claiming that I am not pessimistic but a “careful realist”. But, to be perfectly honest, I think I am trying to fool myself and others. It’s just my mindset, and not an ideal one. And I m working on it.

Recently, at my internship, I have the opportunity to work in a team with some pretty amazing people who have been a great inspiration so far (whether they know it or not). Especially conversations that extend beyond the project we are working on have been the most insightful and helpful to me. Because they were teaching me valuable things about myself, work ethics and the main ingredients that lead them to realizing great work: passion and positive thinking.

I witnessed two of my team members in a casual conversation while both working on their own things. Suddenly, one of them asked if there was an easy solution to find information about their topic of discussion. As soon as the other one admitted not knowing about any, I could tell that he immediately had this spark in his head, thinking about how he could contribute to making this a little easier for everyone.

When I asked him about it later, he admitted that he just passionate about bringing the special knowledge or talent out in people, and connecting them to the right audience. And passionate he is. I could tell, and I was captured by the energy with which he explained this to me.

Another thing that I come across constantly is his ability to somehow remain extremely positive about all the things going on. Now that is something, that I originally found quite irritating.

Since coming to the states in september 2010, more than a handful of people have commented that I should be more positive and not beat myself up over things. I used to think that it was my motivation to keep working harder on something next time. But I came across multiple events where it was more of a block, something that paralyzed me, instead of pushing me harder. Since then, I make it an effort to take every criticism, no matter how defeating it is, and take something positive from it. I admit, it’s not always working  — especially the last couple of days I am not very successful at it. But I have noticed that trying to remain positive has allowed me to be less afraid of failure, and I was even able to pick up a few things I had on my backburner for the simple fact that I found them too difficult to tackle, or too daunting to even begin.

Now that I am finally allowing myself to be positive about certain events (hey, I am not saying I am an overall optimist, and I am not sure if I ever will be, but I can try), I do get the feeling that I see a lot less barriers on my way. Now I just need to do a bit more listening to my inner self to fully decipher my passion. But hey, even the longest journey begins with the first step.


Sunday, June 24th, 2012

The Social in Social Media

Recently, I had the opportunity to talk to a colleague at work about his job as a community manager. We chatted about his opinion on different tools for social media analytics and he gave me some good hints about why I should not take certain measurements as serious as others. I told him about my undergraduate thesis on personal branding — which I wrote with a focus on online tools — and we exchanged some ideas. And then he coined the phrase that I kept thinking about every day since that conversation: “Just don’t be an asshole”.

I was wondering what he meant, considering that I usually try to be friendly and mostly somewhat positive in my published content (unless I get caught up in some major sports event, like the current Euro 2012 and germany is playing). He explained that it refers more to a certain pushiness.

A lot of users on Twitter seem to use the medium as a channel to simply blast out their content, with no interest in interaction. A lot of material is published automatically, comments from readers are consequently ignored. But the power of these new media is the ability to have a dialogue with users, to engage them in the conversation about your content, your products, your brand.

I realized that I was in some ways not living up to my own expectations myself anymore either. During my thesis research, I actively participated in discussions on Twitter with a few people that were of great help to me with the insights they provided. But as I moved on — and my studies in Graphic Design don’t involve that much research around social media anymore — I became more passive, and most of my content was just published without any form of engagement with its potential audience.  And yet, here I am, complaining about big corporations who don’t answer questions on social media portals, or about somewhat established or well-known designers who hardly ever answer messages (unless another well-known user contacts them).

These somewhat new media are not only called social because they let almost everybody publish content, and such democratizing the media in general. The real social aspect are the interactions with people. We have moved away from monologic one-way publishing to dialogues, exchange and collaboration. And by simply blasting out our content into the social media sphere, we are not participating in these dialogues, we just adopt old publishing strategies for these new media (because now we too have access to publishing channels).

Let’s put the social back in social media and not be … well, you get the message.


Sunday, June 17th, 2012

When technology overpowers content

A topic that I keep coming across a lot recently is the way technologic advances have changed the landscape of many professions and different media. Certainly, advances in production technologies have sped up workflows and opened up possibilities in regard to stylistic variations that would not have been doable before — or only with a great amount of time and labour, rendering them not feasible economically.

On the other hand, the availability of new means of production and the resulting new styles and aesthetics do have their downsides.

As a student of Digital Media — which included a big chunk of computer scientific classes — I learned to embrace the computer as a production tool. At the same time, I also grew a reliance on this tool, that now turns out to be in the way of my creative expression, limiting me in some ways. One of my professors explained to me that drawing and sketching is a different form of thinking than creating the same shapes in a tool such as Illustrator or Photoshop. It is a more profound and in-depth confrontation with the subject matter if you do not rely on highly automated processes.

Now I have come to realize that this holds true in so many ways. Often times we see an over-reliance on technology and explorations of possibilities are merely aesthetic. On the content side, the results are very shallow and lack depth and thought-provoking ideas.

Take the movie Avatar for example. In many conversations with people, I have not found anybody that would deny how visually stunning the movie is. The aesthetic that is created through the skillful use of visual effects is certainly admirable. But in every conversation I had so far, at some point people commented on the lack of depth in the story, that the character-development was rather shallow, etc. And the same thing can be said about a lot of modern animation movies too (I’ll leave it to you to pick your own examples).

At one time, a very skilled graphic designer came  to SCAD to give a presentation on his work and his career, how he managed to get where he is now. While his work was very beautiful and well-crafted, I could not help but ask myself about the meaning of the stylistic treatments that he used. The use of visual effects was impressive, but the work felt somewhat “cold”, it did not communicate on a deeper level that went beyond the very first impression of the visual, did not provoke thought and left me untouched.

I believe that this tendency is a core problematic that the current and following generations of designers need to be aware of. We need to make sure that with all the celebration of technology and its sheer limitless possibilities, we do not solely rely on modern tools to create stunning visuals. We need not only impress the viewer with our craftsmanship, but also provide solutions that are thought-provoking, touching and engaging on a deeper level. And in the long-run, that will help not only the profession, but also society in general, as we encourage critical thinking and dialogue.


Sunday, June 10th, 2012

Embracing the unknown

One of my colleagues asked me the other day, how I ended up in an ad agency and as a graphic designer in the US, considering that I am from Germany and that my undergraduate degree was closer to computer science than design. I admit, I couldn’t answer this question immediately, but some thinking led me to this conclusion: it’s about embracing the unknown.

I used to be somewhat shy (I actually still am, but I develop strategies to cover up) and I was always the youngest and smallest in a lot of groups I was in. Trying new things was not really my thing, until my English teacher suggested I look into becoming an exchange student in a different country. Instead of playing it safe and going to the US, where I have family, I ended up in Venezuela. When arriving, my knowledge of the Spanish language included only small bits and pieces, such as tequila, hasta la vista and maybe something like vamos a la playa, all things I picked up from movies or music. Being forced to learn Spanish, because people around me were not that comfortable with English, I managed to have conversations after less than 2 months. At the end of my 11 month stay, my Spanish was decent enough that I successfully finished my exams in school.

Looking back at my year, I regretted a few things I had not done, opportunities I did not take advantage of. Since then, I try making it a point to not let this happen again. I hate having to ask myself what might have happened if I would not have shied away from an opportunity to try something.

So after my undergraduate degree in Digital Media, I packed my bags (2 days after my thesis defense) and enrolled at SCAD to get my MFA in graphic design. And there I managed to build things with materials I have never worked with before, exploring solutions I never thought about before, with tools I never used before. Ultimately, this led me to my current position as an innovation intern at McKinney in Durham, NC, where I am asked to do just that: explore things that have not been done, embrace the unknown.

And to me, that is what not only my life should be about, but also working as a creative in general. Embracing the unknown, exploring beyond the beaten paths. Only this way will there be true innovation instead of incremental addition.*

If it was not for my stay in Venezuela that taught me how to overcome certain fears regarding the unknown, who knows where I might have ended up. In this case, I do not want to ask myself this “what if” question, cause I think I am right where I should be. And I am sure, there are many interesting unknown things I still get to explore along the way.

* In this regard, I highly recommend Youngme Moon’s Differents , a great read on differentiation in any given market.



All content © Copyright 2013 by Marc Marius Mueller.